Title of Artwork: “Portrait of a gentleman wearing a beret”
Artwork by Parmigianino
Yr Produced 1524
Summary of Portrait of a gentleman putting on a beret
Parmigianino’s Portrait of a Collector is a 1524 painting depicting a collector.
4 other Parmigianino portraits ended up bundled in Ranuccio Farnese’s “wardrobe” in 1587, together with this one particular. Parma’s Palazzo del Giardino has a much more specific description from 1670 that also refers to the subject matter as a spiritual individual.
A self-portrait by Parmigianino was bought at Christie’s in London in the early 19th century, soon after it arrived in England from Italy. It was procured by the National Gallery in 1977 from Lord Strafford’s Wrotham Park assortment in 1857.
All About Portrait of a gentleman carrying a beret
Emporium, an art record journal, initial posted it in 1940, assigning it to the Roman sojounr of the painter. Centered on stylistic similarities to will work from that interval, it was afterwards dated to close to 1524.
Specifically the bas-reduction is comparable to the fresco at San Giovanni Evangelista depicting Sts. Lucy and Apollonia however, the portrait plan and procedure resemble people in the Portrait of Galeazzo Sanvitale.
Equally the Uffizi depot (inventory 3971) and the Walker Art Middle of Minneapolis, United States, have at least one older duplicate.
Francesco Baiardi was identified as the matter by art historian Freedberg in 1950 he was not a priest at the time. Offiziolo Durazzo, a miniated breviary that is at this time housed in the Biblioteca Civica Berio in Genoa, belongs to him.
Parma-based painter Francesco Marmitta, often referred to as Parmigianino’s grasp, concluded this do the job some twenty decades in advance of the aforementioned painting by Parmigianino. It is the very same human being who appears in a painting in London, attributed to Dosso Dossi, by some.
Donning a vast black fur-lined coat and a matching black hat, the matter is illuminated from the entrance by a solitary place of light-weight. It is in his remaining hand that he holds the Offiziolo, a beautifully-adorned reserve, whilst the other is lying on the table, and has a gold ring on the tiny finger.
In the vicinity, there is a bronze statuette in ancient style, probably symbolizing a feminine deity (Ceres, in accordance to some), as properly as 3 bronze medals and an ancient silver coin, all of which were put there to show the man’s interest in artwork and antiquity.
A marble bas-reduction depicting Mars, Cupid, and Venus, a popular concept at the Platonic Academy, is on the left, even though a landscape is on the suitable.