Juxtapoz Magazine – Venom, Bergeron and Franzese “A Birdcage, Until Further Notice” @ Gallery Poulsen, Copenhagen

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For some time, Jud Bergeron and Gallery Poulsen have been investigating how we can place with each other an exhibition that provides a new dimension to the gallery. Gallery Poulsen is significantly oriented towards the figurative factors of the art planet but when they invited Jud Bergeron onboard we also invited the abstract minimalism in its three-dimensional form which acts as a link involving figurative artwork and summary art although also staying a way for them to consist of the actual physical place in our exhibitions. A Birdcage, Right until Additional Discover is the newest addition in their sequence of invitational exhibits in which one particular of Gallery Poulsen’s common artists invitations, for us, new artists into the gallery’s place which in switch contributes to the expansion of our creative understanding.

In Bergeron’s sculptures there is a specific aim on the tactile homes of summary geometric designs, a concentrate that is also existing in Ben Venom’s and Gianluca Franzese’s respective function with shapes and blend of materials. Bergeron, Venom, and Franzese all dwell and perform in San Francisco, California.

Jud Bergeron’s new series of sculptures stems from a collection of wall reliefs that were being motivated by 1 of his silkscreen prints produced in 2020. Bergeron commenced to visualize the wall reliefs as blocks and started wondering about the origins of sculpture by the lens of childhood, participating in with picket blocks. He started extruding the two dimensions into 3 proportions and making use of those blocks to make new sculptural kinds. The works in the exhibition signify a inventive procedure exactly where Bergeron’s earlier is effective encouraged him to even further establish artistic strategies in new means utilizing new resources until eventually the authentic thought gets to be a footnote to a substantially greater overall body of fully realized will work. These procedures are telling of Bergeron’s normal creative exercise, as most of the perform in the present represents the center stage of still yet another iteration of this sequence, these will work will provide as finished maquettes for future operates that will be scaled a lot bigger.

In his precise do the job with repurposed resources stitched with each other in big textile-based pieces, Ben Venom contrasts the typically menacing and intense counterculture factors of skateboarding, punk/steel tunes, and the occult with the comforts of domesticity. This collision of conventional quilting techniques with aspects tied to the fringes of society re-envisions the story of the materials via a softer lens. The reclaimed fabrics employed in Venom’s perform consist of a multitude of own histories and everyone’s unexplained stain, tear, or rip is bundled. These salvaged pieces are sewn into a bigger narrative and come to be a part of a collective heritage within just the do the job. The fragility of the components and their assaulting imagery are introduced with each other in the type of a functional artwork. Venom’s artistic venture is exemplified with the do the job “Flex Your Head” whose title and imagery are borrowed from a Minimal Danger track lyric. The quilt combines the alternate, but optimistic, ideals and the impressive methods of expression of the punk band with the softness and operation of the donated fabric in a way that conveys a clash among distinctive cultures and traditions. This is one of Ben Venom’s overarching tasks in his collective oeuvre.

Inspired by his individual childhood, elevated by a father who was a jeweler, metallic leafing performs a sizeable part in the artwork of Gianluca Franzese. The utilized metals in Franzese’s large operates are combined in a detailed network of interconnected lines, wealthy colors, and repeated designs that express a precise equilibrium and harmony through geometric configurations that are not pre-prepared but are the end result of an intuitive, curious, and playful innovative course of action. The exhibition marks the first time Gianluca Franzese exhibits in Europe in a lot of years. The performs in the exhibition can for that reason be noticed as a reinterpretation of the continent’s rich traditions in the use of metal and the specific craftsmanship of the metalsmiths all through the medieval ages. The intricate connection of chainmail for armor, the elaborate jewels that adorned monarchies and the ouroboros, the mythological snake biting its have tail which was an important image in the alchemy of the Middle Ages, are all renewed in Franzese’s layouts, which sites the is effective in a larger historic context.

Together the works of the exhibition develop a conference position in between assorted tactile homes that are all conveyed by way of abstract geometric compositions. The metallic expression of Bergeron’s hard and three-dimensional bronze sculptures is also current in Franzese’s geometric paintings in the steel leafing, and the harmony and thoroughly composed designs and patterns of these paintings are also skilled in Venom’s quilt designed from repurposed textile. This generates a dialogue concerning the will work of the exhibition that contributes to the enlargement of our inventive comprehending.

 



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