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About Anna Pajak
Anna Pajak (b. 1992 in Stockholm, Sweden) is a graduate with an MFA from The Royal Institute of Artwork, Stockholm, in 2020. Currently she considers herself a painter and printmaker. She explores geometrical spaces and architectural elements such as surfaces, designs, and depths in her operates. Pajak merges color, symbols, and perspectives into visionary imagery exactly where the abstract meets the figurative. Drawing from modernist female painters, spiritualism, and desires, Pajak deconstructs and recombines symbols, visuals, styles, and architectural fragments in ways that problem conventional contexts and interpretations. Her big-scale paintings bring a perception of a further dimension to life – a actuality on the border of dream and fiction.
Her setting up issue is frequently a bodily sensation translated into the visual.
Anna Pajak has been exhibited at Stene Initiatives, Stockholm, Konsthallen Kvarnen, Dalarna, and at The Royal Swedish Academy of Wonderful Arts, to identify a few. She holds rewards with grants from the Queen Sonja Printmaking Award (2021) and the Royal Swedish Academy of Good Arts (2019 and 2020).
In 2020 Hue&Eye hosted the initially interview with Anna Pajak. Since her art practice has considerably advanced so far, we are happy to clearly show updates and her latest functions!
Howdy Anna, welcome back! For whom haven’t study about you before, let’s begin from the principles. Wherever have you developed up, and how have you recognized you desired to develop into an artist?
My title is Anna Pajak, and I grew up in Stockholm, Sweden! I usually realized it. I woke up like a painter 😉
Can you briefly say anything about your method and explain to us what drives you to make art?
I am a painter and printmaker. In my follow, I use each fluid acrylics and oil paint. The generate normally feels far more like a want. My starting up stage is often a bodily sensation translated into the visual. I investigate geometrical areas and architectural features these as surfaces, patterns, and depths. I merge colour, symbols, and views into visionary imagery where the abstract fulfills the figurative.
Drawing from modernist female painters, spiritualism, and desires, I try out to deconstruct and recombine symbols, photographs, designs, and architectural fragments in means that problem traditional contexts and interpretations. I like my canvases big-scale, so the paintings can convey a perception of an additional dimension to daily life – a reality on the border to dream and fiction.
What most important characteristic has improved in your operates or observe all through the several years?
It evolves consistently. My paintings are a discussion concerning females and me from different moments. These women are located everywhere you go, in clear destinations, and in some cases barely apparent.
I paint as a way to believe about this, inviting non-integrated voices into the patriarchal illustration of languages, terms, and themes.
Which artist mostly evokes your operate? And is there anything else, outside visible arts, that retains you enthusiastic?
” The Giggle of the Medusa” was the title of my last solo present at Wetterling Gallery in Stockholm. The tile will come from Hélène Cixous, a French feminist author. Right before I began performing on this show, I arrived throughout her essay. I sensed a major curiosity in how I could transfer her theory of female producing to my portray follow.
Her crafting is cyclical and non-linear, like the female physique. Just like portray, I imagined. What distinguishes woman composing, in accordance to Cixous, is that it presents expression to the system. Also, the language captures what the human body has skilled, just like portray, I assumed.
A narrative emerges parallel with the paintings in my follow the stories can be summary and place to a condition of intellect. In the picture, I get to know the characters/symbols, and in me, with them, a new story is woven.
So for this present, I invited Medusa’s companionship to the studio, and jointly we have enable her shields (my paintings) improve. The snakes standing from her hair are her distinct needs for the range of the lady staying. There are no dichotomies in that exhibit, as anything exists at the same time. I noticed the exhibition as her return. Violent and comfortable at the similar time.
Distribute the phrase! Do you have something fascinating on the horizon?
Indeed, I do! This summer months, I’m exhibiting in a group display, ” Dreams & Illusions,” at Alma Löv Museum of Unpredicted Artwork. I’m happy about this just one, ever given that I frequented the museum a couple many years back I have needed to present my performs there, it is a magical put!
Just before that, I’m likely to New York to get the job done with the learn printers at United Constrained Art Editions, aspect of the Queen Sonja Printmaking Award I received in 2020.
Abide by Anna Pajak on Instagram or stop by her web page!
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