Bhau Kadam and Kushal Badrike’s camaraderie is the highlight of Pandu

The late Dada Kondke has motivated an entire technology of viewers, filmmakers and actors in Maharashtra, and Pandu is a testimony of that. No, it’s not a remake or sequel of Dada Kondke’s iconic Pandu Hawaldar, but a tribute to Dada Kondke.

Pandu won’t make tall promises it stays true to the essence of Dada Kondke’s films, with just one sole goal – that of entertaining the masses. And who greater to do that than two of the most effectively regarded comedians from the market?

Bhau Kadam and Kushal Badrike crew up for this comedy, producing it the first time for the two to be acting alongside one another on the major screen. The film begins with the Bhau (Pandu) and Kushal (Mhadu) doing at a programme in honour of politician Babasaheb Pathare (Pravin Tarde). Delighted with their general performance, Babasaheb fulfils their want of doing a career for livelihood and receives them inducted as Hawaldars in the Mumbai law enforcement pressure. What follows is a comedy of glitches, twists and turns, and a hatke climax.

Comedy with double this means jokes is a challenging region. It requires to have just the proper harmony a very little fewer can make it drab, and a small extra can make it crass. Director Viju Mane manages to strike a equilibrium, making you chortle with just the ideal tadka.

The performing office is complete of recognized names and they produce what is expected of them. Anyone else in put of Bhau Kadam for this part may perhaps not have hit the mark, but the ace comic nails each and every punch line when retaining a selected level of innocence. Kushal as Mhadu is the perfect companion to Bhau’s Pandu and provides an similarly very good functionality. Neither of these two overpowers every single other. Sonalee seems beautiful no question, and she also gets to pack a punch (actually) as Usha. The actress’s portion is pivotal to Pandu’s plot. Pravin Tarde commands the display screen as Babasaheb Pathare whilst Prajakta Mali emerges as a shock bundle in this equation as Babasaheb’s daughter.

As entertaining as Pandu’s very first 50 % is, the movie loses pace in the second fifty percent. Even though the climax earns some brownie points, the movie doesn’t make a finish turnaround. There are some supporting characters included for comic aid, but executing away with some of them would not seriously have manufactured significantly of a distinction. Hemangi Kavi, for example, doesn’t have much to do apart from developing Mhadu’s married lifetime, nor does Shahbaz Khan.

All mentioned and done, Bhau Kadam and Kushal Badrike’s camaraderie is the spotlight of the film. Which is also what most people would go to check out the film for. The two never disappoint. The exact same can not be mentioned about the movie as a complete however.

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