Ilona Royce Smithkin, who as an orange-haired nonagenarian with matching two-inch eyelashes caught fire in the earth of fashion, starring in a documentary movie and becoming a member of vogue strategies for models like Mentor, although flinging embers into quite a few other fields as a muse for photographers, filmmakers and entertainers — a joyous persona that took a lifetime to build right after a grim childhood — died on Aug. 1 at her residence in Provincetown, Mass. She was 101.

The loss of life was confirmed by Melinda Levy, a longtime mate and a trustee of her estate.

Ms. Smithkin’s rise to fame commenced with a rumor.

In 2010, the photographer Ari Seth Cohen, who made Advanced Design and style — a blog devoted to the type of gals over 60 that afterwards grew to become a reserve sequence and a movie on the similar subject — listened to from a friend about a “magical female with fiery purple hair and the longest eyelashes anybody had at any time found.” He staked out a shop she was explained to pay a visit to.

Not prolonged after, he noticed a girl on the road in the West Village of Manhattan who was about 4 toes 9 inches tall and wore hand-painted sneakers, matching little one blue garments and diamond-studded sun shades, with eyelashes poking out. It was her.

Mr. Cohen questioned to acquire Ms. Smithkin’s photograph. She exclaimed, “Of training course,” and kicked a leg in the air.

“I quickly fell in enjoy,” Mr. Cohen claimed in a cellular phone job interview.

He started checking out Ms. Smithkin’s fourth-ground West Village wander-up, a tiny studio so crammed with materials, purses, paintings, publications and hats that the doorway could not absolutely open up. Ms. Smithkin served coffee or vodka — “the only two points I know how to make,” she described — and described how she fabricated her possess caftans and turned objects like letter organizers and typewriter springs into jewelry.

Without having any intent to make a film, Mr. Cohen and a mate, Lina Plioplyte, started filming their conversations with Ms. Smithkin. That became, in 2014, a documentary, “Advanced Type,” centered on some of the blog’s principal recurring characters.

In the film, Ms. Smithkin, a painter by career, mixed arresting personal disclosures with slapstick comedy. “I came into my have about it’s possible 10, 12, 13 years in the past,” she mentioned, although she was 94 when it was launched. She joined a nonagenarian close friend, whom she said endured from memory reduction, to sing as a duet “You Make Me Experience So Young.”

“I don’t imagine ‘Advanced Style’ would have been a fraction of what it is with no Ilona,” Mr. Cohen explained. “She brought it a depth. She was the star.”

Ms. Smithkin commenced modeling, showing in campaigns for eyewear by Karen Walker and clothes by Mara Hoffman She was labeled a “92-year-previous design legend” by The New York Post’s Page 6, which explained her dancing at the Jane Lodge in the West Village without the need of noticing that her scarf had caught fireplace from a nearby candle. One more partygoer doused the flames with champagne.

To those boogieing at the Jane Hotel, Ms. Smithkin may well have appeared a figure from vaudeville, her flamboyant get-up amusing more than enough for a turn in the spotlight. But she experienced a “stable of mentees,” consisting mainly of artists, who understood far better, claimed just one of them, the actor Erik Liberman.

“She found who was pulled in by the color and light, and who wanted to realize the resource of the colour and light,” Mr. Liberman mentioned. “For people who sought further dialogue, off arrived the hats, the amazing scarves and at some point even the eyelashes.”

Mr. Liberman usually showed up at Ms. Smithkin’s studio at a moment’s see to acquire naps amongst Broadway performances. When, as an aspiring actor in his late 20s, he commenced investing time with Ms. Smithkin, he introduced alongside notebooks to document what she said. She instructed him to consider his have imaginative powers very seriously, relatively than perspective performing as a kind of subservience to somebody else’s vision.

“That altered the whole study course especially of my young vocation,” Mr. Liberman said.

Ms. Smithkin was born Ilona Rosenkranz on March 27, 1920. Her father, Mordko, was an engineer her mom, Frida (Lubinski) Rosenkranz, was a homemaker.

That facts arrives from immigration paperwork. In April 1938, the spouse and children moved from Berlin, where by Ilona experienced grown up, to New York. They mentioned their race as “Hebrew.”

As an adult, Ms. Smithkin prevented discussing her background, declaring when prompted that she had number of recollections. But in a 2004 documentary about her, “Ilona, Upstairs,” she attributed the way her head shook in some cases involuntarily to ordeals she had as an 11-year-previous when the Nazis commenced their increase to electric power.

“It’s not Alzheimer’s, it is not Parkinson’s,” she reported of her shaking. “That is that terrible, repressed anxiety.”

In the United States, her dad and mom Anglicized their names to Max and Frieda, and the family members surname turned Royce.

According to Ilona’s early-1940s petition for naturalization as a citizen, she was born in Berlin, but she later reported that she experienced been born in Poland. She commenced creating artwork when she was about 5, and she analyzed at the Reimann College of Artwork and Style and design in Berlin, the Royal Academy of Fantastic Arts in Antwerp, Belgium, and the Art Students League in New York.

A 12 months soon after immigrating, when she was 19, Ilona married Irving Smithkin, a linotype operator. He died preventing in Planet War II and was buried in Italy.

Ms. Smithkin painted and manufactured a residing as a milliner, a manufacturing facility employee, a painter of glass lantern shades and a film theater usher. She moved into her West Village studio in 1947.

In the 1960s and ’70s, she started training art classes in Kentucky and South Carolina, touring to little cities and utilizing church basements and funeral parlors as classrooms. In 1975, she began holding portray courses on the South Carolina Educational Tv Network.

When she was not on the street, Ms. Smithkin break up her time involving the West Village and Provincetown. She fulfilled and manufactured portraits of writers like Tennessee Williams, Eugene O’Neill and Ayn Rand.

In interviews, Ms. Smithkin referred to having a revelation and last but not least becoming her genuine self all over the age of 80, about the exact time she started off doing music by Marlene Dietrich and Édith Piaf in Provincetown and at New York venues like Joe’s Pub. She would put on stilettos, stockings and a revealing dress, and until eventually she had hip surgery in her mid-80s, she completed every single show by executing a split.

By her have admission, she did not have much of a voice — but neither, she explained, did Dietrich.

Ms. Smithkin leaves no rapid survivors, but she did create a ritual for marking a person as element of her inner circle.

You entered her studio and sat on a chair up coming to her bed. She examined your confront. She selected a pencil. Then, for about 20 minutes, you held however whilst she drew a portrait of 1 of your eyes.

“You talk I want to listen to about you,” she would say even though drawing, in accordance to “Insomniac Town,” a memoir by the photographer Invoice Hayes in which he described sitting down for an eye portrait. “At this moment, you are the most critical person in the planet.”

It was, Mr. Liberman reported, a “spiritual knowledge.”

“She grew preternaturally nevertheless, and her observance plumbed the depths of who you were being,” he added. “She could evoke the overall cosmos of someone’s being by way of the microcosm of their eye.”

Alain Delaquérière contributed study.