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The Queens Museum now announced that it has hired Lauren Haynes as director of curatorial affairs. Haynes, who was born and raised in New York, will leave her post as senior curator at Duke University’s Nasher Museum of Art in Durham, North Carolina, to inaugurate the freshly designed job in mid-July. She will oversee the Queens Museum’s curatorial and plans departments, working carefully with the schooling section with the target of integrating the museum’s initiatives in these a few arenas. The newly coalesced staff comprising the staff of these a few departments will be know as the content staff and will run underneath the assistance of Sally Tallant, executive director of the New York institution.
“The siloing of curatorial and education and learning is one thing that we’re truly doing work to collapse at the museum,” Tallant advised Artnews. Tallant, who arrived to the museum in 2019, reported she had considering that her arrival sought to generate a senior job for somebody who could proficiently weave with each other the multivalent strands of the institution’s programming but had been delayed by the Covid-19 disaster. She praised Haynes as an attained curator, a expert collaborator, and an specialist in the making and running of collections. “Because she’s labored in a array of distinct contexts, I feel she’s going to convey good leadership traits and diversity of expertise to the desk that will seriously help nurture our team and give them an prospect to expand,” mentioned Tallant.
In advance of arriving at the Nasher Museum previous summer season, where by she curated “Reckoning and Resilience: North Carolina Art Now,” now on watch, Haynes due to the fact 2016 had served as curator of modern artwork at the Crystal Bridges Museum of American Artwork in Bentonville, Arkansas she was also promoted to director of artist initiatives there in early 2020, possessing played a crucial role in the February 2020 start of the museum’s downtown contemporary artwork gallery. She furthermore she cocurated “The Past: Georgia O’Keeffe and Contemporary Art” (2018), coordinated the initial US presentation of “Soul of a Nation: Artwork in the Age of Black Power” (2018, originating at Tate Modern, London), and led the curatorial staff that assembled “State of the Artwork 2020.” She received her get started at the Studio Museum in Harlem in 2006 as an associate curator liable for exhibitions like “Stanley Whitney: Dance the Orange” (2015) and “Alma Thomas” (2016), which she co-arranged with Skidmore College’s Frances Young Tang Educating Museum. In the fifteen a long time she has been active in the curatorial entire world, Haynes has gained a popularity as an artist-centered curator of fantastic warmth who is known for an open-minded approach
“I adore making points,” Haynes reported. “I like operating with colleagues and functioning with individuals to believe about: All right, the place we are now is good, but exactly where do we want to be? And not contemplating that we stick with the position quo. [The] situation [at the Queens Museum] is about contemplating globally about the museum and about what articles can be throughout exhibitions, community courses, and instruction.”
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