For the initial number of several years, I took pics and applied PhotoShop to modify colours, tones and textures to enhance the thoughts I received from looking at regardless of what the photo’s matter was. And then I commenced randomly adding other images to the mix. “What would it search like if I mix the photograph of the horses I took at Tanglewood past month into this photograph of limbs and leaves? Or the closeup of the salamander climbing up the adobe wall?” Today, some of my items are built making use of just two or 3 pics, but some of my pieces ended up manufactured from as lots of as 10 or 12 shots.

Q: Who has affected your artwork?

Remedy: That’s a tough query. There are numerous artists whose do the job I adore for numerous various causes. Between the painters are Picasso, Matisse, Van Gogh, Rothko, O’Keeffe and Arthur Dove, to name just a number of. Photographers include Atget, Cartier-Bresson, Steichen, Weston, Irving Penn, Bill Brandt, Jerry Uelsmann, Guy Ray, Michael Kenna, Sally Mann, Andre Kertesz, Jan Saudek and Sabastiao Salgado.

Q: What is your largest obstacle?

Solution: By significantly, my most significant problem is producing prints that capture the essence of the art I build. When I’m creating, I see the get the job done on a pc display, which is luminescent, so it provides a lot of daily life to colours and styles. But when I print all those parts on matte paper, it can take me up to two or a few several hours of manipulating the graphic so the print I deliver has the very same good quality and intensity of sensation as the photograph on the monitor — even if the printed photo is different from what was on the display screen.