The Barnes School – my daily art display


The Patriarch, Aged Williams.

When I came across the terms “Barnes School” in relationship with art, I immediately imagined it was referring to an creative colony or a kind of painting but I was improper, albeit the title derived from the then rural town of Barnes, a district in the London Borough of Richmond upon Thames, in which a gifted creative family had their painting studio.  The name referred to a nineteenth century family members of gifted Victorian landscape painters who pictorially depicted the British countryside.  The head of this household of artists was Edward Williams. In this and the subsequent a few blogs I will be wanting at the life and perform of the talented patriarch and his six sons

Edward Williams (1781-1855)

Edward Williams was born some time in 1781 as baptismal documents display him as becoming baptised on Oct 13th 1781 at St. Mary’s Church in the London borough of Lambeth.  Edward was the son of Edward Williams, an engraver and Mary Ward.  Mary arrived from a massive inventive family. She was a sister of James Ward the effectively-identified animal painter, and a sister of the equally very well-acknowledged engraver, William Ward. Mary was also a sister-in-regulation of the gifted figure painter George Morland, and a sister-in-legislation of Henry Chalon, another animal painter. The family members historical past recounts that all around 1793 Edward Williams’ mother left his father for a different guy, and their son Edward was sent to are living with his maternal uncle, James Ward the painter. Ward was just one of the fantastic artists of the working day and was regarded as a single of the good animal painters of his time.  It is not recorded as to irrespective of whether Ward at any time gave his youthful nephew any creative schooling but there is no doubt that Edward have to have been influenced by his temporary affiliation with Ward.

A Cottage in a Wooded Landscape by Edward Williams

Immediately after remaining with Ward for a shorter period of time Edward Williams took up an apprenticeship with a carver and gilder named Thomas Hillier, who was not in any of the trade guilds but even so had a shop on Silver Street, Golden Square, London. It was probable that Edward began his career carving and gilding picture frames, but it is also identified that to assistance himself fiscally he painted and marketed miniatures.

River Landscape with Windsor Castle by Edward Williams

Edward married Ann Hildebrant, who was the daughter of Frederick and Sarah Hildebrant, on February 12th, 1806 at St. Pancras Church in London. Ann was 20-5 and Edward was a yr young.  Even though Edward Williams’ job was as a carver and gilder he was amongst relations who were all very well-known painters and engravers, and therefore, as time passed, Edward re-invented himself as a painter. 

The Jewish Cemetery by van Ruisdael (c.1655)

His original delving into the environment of artwork was when he began to copy effectively recognised landscape paintings of the Dutch Baroque era of the 1600’s, such as those people by Jacob Isaackszoon van Ruisdael and Meindert Hobbema. 

The Old Watermill by George Morland (1790)

Next this period in his creative occupation, he concentrated on copying performs by modern landscape painters, such as his uncle, George Morland. Edward took the selection to grow to be a landscape painter which was a dangerous decision as landscape artwork was, at the time, thought of to be an inferior genre.

River by Moonlight by Edward Williams

Edward Williams became recognised for his moonlight scenes.  Edward Williams usually shared art exhibition venues with his sons, causing some confusion with the public who had problems telling one particular Williams portray from yet another. He is frequently called “Old Williams” to distinguish him from his oldest son, and he is referred to in some of the art journals of the time as “Moonight Williams”, as moonlit scenes of the Thames were being just one of his favourite topics in his paintings

A Perspective on the Banking institutions of the Thames by Edward Williams

As he obtained older, for river scenes together the Thames.

Edward and his wife Ann Hildebrandt had married in February 1806 and went on to have 8 small children.  The first-born was Edward Charles Williams who was born on July 10th 1807 and because he experienced been presented the same name as his father, Edward Williams, his father became acknowledged in his afterwards years as “Old Williams” to distinguish himself from his eldest son .  Two extra sons adopted, Henry John Boddington Williams in Oct 1811, George Augustus Williams in Could 1814.   Then followed the Williams’ only daughter, Emily Anne Williams who was born in June 1816.   Arthur Gilbert Frederick Williams arrived in December 1819 followed by Sidney Richard Percy Williams in March 1822.  Similar twin boys Alfred Walter Williams and Charles Williams ended up the last additions to the Williams relatives in July 1824.  Unfortunately, Charles Williams died shortly right after delivery.

Crossing the Stream, A Wayside Chat by Edward Williams

Edward and his wife Ann lived in many residences, in what is now termed the West Stop of London, in Percy Avenue, Foley Avenue, and Charlotte Road.  In 1827 the relatives moved to Cromer Avenue in the St Pancras spot exactly where they stayed for practically twenty years.  By 1846 with the steady sale of the father and sons’ paintings, the family’s funds had enhanced.  Increase to that actuality the relatives had developed, they necessary a larger sized residence and so moved to 32 Castelnau Villas, Barnes.  Edward Williams expended his ultimate decades there with his spouse Ann.  She died, aged 71, and was buried on September 24th, 1851 at the Barnes Parish Church.  Old Williams was prevail over with the grief from the dying of his spouse and he died just 4 decades afterwards at the age of 74 on June 24th, 1855 at his Castelnau Villa property.  He along with his spouse now relaxation in the Outdated Barnes Cemetery.  Sadly, the cemetery has been turned into a mother nature sanctuary by the city council and the graveyard has fallen into disrepair and is overgrown with bushes and vines.

…………… be continued.

Most of the details I have uncovered for these blogs about the Barnes Faculty came from the excellent web page of Mike Clark, entitled Genealogy of the Percy, Williams and Ward family members.  If you would like to read through an in-depth account of the Williams loved ones, this is a ought to-examine.

Creator: jonathan5485

Just somebody who is intrigued and loves art. I am neither an artist nor art historian but I am fascinated with the interpretaion and symbolism applied in paintings and love to examine about the lifetime of the artists and their topics.
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