A new assortment of operates by artist Jay Senetchko (previously featured in this article). Participating in on the structure of regular Christian altarpieces, Senetchko explores how the two security and violence impact isolated men and women as perfectly as the requirement of violence for attaining and retaining social steadiness. Scenes of leisure like dinner get-togethers and picnics — symbols of social protection — are offered on the exterior wings of the altarpieces, making a marked distinction to the inside scenes:

“The contrasting imagery of this series affirms that men and women enjoy pleasurable routines this kind of as the sharing of foodstuff with close friends thanks to amounts of social security underpinned by violent means and that these exact same folks are not only complicit in that violence but also dependable for its implications. The Fantastic Refusal indicates to dilemma the character of social stability, expose its historical and modern costs, and expose how a viewing viewers may be unaware of their tacit engagement in this kind of a procedure.”

The collection is reflective of Senetchko’s ongoing curiosity in his personal historical past as a descendant of Ukrainian immigrants and draws on a range of references together with his very own household pics, Albertan archives of Canadian-Ukrainian immigration, as perfectly as documentary images from the ongoing war amongst Ukraine and Russia. See a lot more illustrations or photos from “The Good Refusal” beneath or on exhibit at Pendulum Gallery from May possibly 16 to June 16.





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