Diego Valles | Episode 841
Diego Valles was born in the border town of Palomas Chihuahua in July 1982.Diego has been expanding the boundaries not only of Mata Ortiz Ceramics, but also of classic Mexican Ceramics. In 2010 he was awarded The National Youth Award for Arts, which is Mexico’s highest honor to a younger living artist, “for the mixture of Science, Art and Excellence in the development of his ceramics…”
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You use the phrase miracles as you tell your story. Why do you see them as miracles?
I do not actually believe it is divine intervention but it is miraculous in the way that pottery produced out of necessity really, for survival. And how out of necessity it became an artform in itself. So which is the true miracle that we have without the need of right instruction in art or any kind of education and learning for that make any difference. Quite a few of the first potters did not even finish elementary university and they became these excellent artists. That is the wonder!
How do you see your grandmother in your get the job done nowadays?
Properly I really really do not my mother’s grandmother’s do the job in my function but I accept that whatsoever she realized and her technology knew they go it on someway into the future generation and it turned the foundation for the Mata Ortiz pottery as we know it right now.
When you dig up your own clay does that make you experience connected to historical history or does it make you believe far more just about what you are performing upcoming?
I think it goes both of those approaches. You know walking on the ground, how can I say, it really conjures up us. Mother nature evokes any one and everybody, but going for walks on the land and going for walks on areas that are sacred simply because it hosted generations on generations who realized their land and understood their clay. It is pretty inspiring and extremely uplifting and spiritual as well. It gets a big aspect of what the potters at Mata Ortiz are.
How does your surface style and design link to history and join heritage to these days?
Properly Mata Ortiz pottery was directly influenced by the Casas Grandes’ society pottery . The pottery from this culture had these principal colours, only black and purple and occasionally yellow, but black and purple ended up the extremely traditional. These are the hues that I use for my layouts. Also I use some of the iconography from this pottery of Casas Grandes into my very own but I reinterpret it and I almost certainly try to express a little something that is extremely various than what they supposed.
Do you know what those people symbols stood for or intended?
The Casas Grandes society completely disappeared and regardless of what partnership we could possibly discover or indicating or explanation out of these layouts is due to the fact of the connections that we make with the pottery of the native American persons, the southwest pottery. Some of the standard layouts are mainly the similar.
What was one more large turning place in your ceramic lifetime?
Well I have always been really competitive and I like competitions and I assume competitions make persons try to a far better variations of ourselves. And I believe the initial opposition that I entered into the Once-a-year Pottery Competitors in Mata Ortiz I won a second spot in the miniatures class in 2000 and that truly encouraged me.