Artist Paul Rousteau’s follow pushes pictures to its boundaries, distorting actuality and breaking no cost of typical illustration requirements. Mixing the medium with digital art and portray, his work is an experimental hybrid, analyzing the relationship among portray and photography.
It is with this pictorialistic approach that Rosteau visited Claude Monet’s garden in Giverny, France. Struck by the simultaneous paradise of the gardens and the “trivial vision of groups roaming it as a tourist attraction,” Rousteau considers how newbie pictures in the digital age has shifted our partnership to the medium. “I appeared in the hundreds of each day photos created at and on Giverny,” he explains. “Bugs, glitches, software package problems and other digital alterations are then printed, painted upon, and re-photographed, therefore questioning the position of the photographic impression, of its author, and of its consumption in the digital era.”
“These illustrations or photos are a testimony to an amused reflection on the successive steps of an artistic movement. From its belittled avant-garde beginnings to its accession to mainstream culture. Shifting to a commercial and ornamental standing, a person emptied of its revolutionary ideas. Between sacred and profane, my vision navigates among an homage to the Impressionist grasp and an iconoclastic reappropriating of an oeuvre, contributing in the creation of a new medium we, mistakenly, continue on calling Images.”
See much more beneath!