Will Gaynor is a painter and designer residing in Austin, Texas. His artwork is a visual interpretation of stories and encounters retold to build an ongoing individual and canonical folktale.
In Gaynor’s solo show, A Hood Ornament For Oblivion, he extends upon his use of recurring symbolic imagery and metaphors, nurturing a symbiotic romance with character and the mountain as a larger perspective of the environment and artistic landscape. This concept is realized by trying to illustrate profound psychedelic experiences along with an comprehended finding out that there are plenty of means to open doorways to expose and explore the fragile, interconnected webs woven through time that bridge all creations. Everything is simply touching, creating a substantial daisy chain of discernable energy that is absorbed and illuminated by all beings and objects and as it vibrates – every thing is at when ecstatic, humming and cumming.
As the come down commences we are reminded that we are residing in a point out of continual duality – a earth the place items that after appeared innocuous and benign have grow to be divisive and lethal. The quiet comforts of a forest carpeted in moss turn to dizzy, terrifying visions of hellish fires. Enter Gaynor’s character, “The Cosmic Trickster,” a rambunctious spirit to which the artist serves as the vessel – through this character’s appearances we are reminded of the tips we engage in on ourselves, the video games we enjoy with some others, and the treatment of each and every passing working day as the up coming round in a belief match. The Trickster delivers a comical navigation of the intricacies of modern human existence, the paranoid feeling of impending doom, the principle of religious loss of life and the reward of reawakening. It results in being starkly evident that, when difficult the idea of absurdity by way of artwork, reality is the most expert competitor.