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Next Cloud Atelierhaus. An online residency for Marxist oracles, Algorithmic Solidarity and more – We Make Money Not Art

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  • Next Cloud Atelierhaus. An online residency for Marxist oracles, Algorithmic Solidarity and more – We Make Money Not Art
By: Kimberly R. Cammack Posted on May 14, 2022


In 2021, servus.at, a Linz-primarily based network lifestyle initiative that promotes the use of free of charge open up supply computer software for collaborative function, released a just one-month on-line residency program for digital artists. Future Cloud Atelierhaus gives 5 invited artists obtain to all the resources in the servus.at cloud occasion, a content collaboration platform that lets communication channels these kinds of as chats and video meeting, and offers distinct equipment to manage team workflows.

As a curatorial experiment of self-designed establishment, the job investigates what function Atelierhaus can participate in in the on the internet spaces to winner electronic art and react to its wants. The on the net residency structure permits for the sharing of methods, feedback from the servus.at team, weekly meetings, studio visits with company, cling out activities and a remaining open up studio presentation.

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An oracle motivated by Marxism, a College of Algorithmic Solidarity, a bot that follows Socrates’ encouragement to “know yourself”, a poetic exploration of the asynchronicity involving human and pc instances, an archive of overall body parts that resist patriarchal technology… These are the jobs I heard about when I achieved with the inhabitants of April 2022 in the context of a(n online) studio pay a visit to:


Impression by Mary Maggic


Image by Mary Maggic


Impression by Mary Maggic

The very first artist I spoke with was Mary Maggic. Their inventive study focuses on hormone biopolitics and environmental toxicity, and on how the ethos and methodologies of biohacking can enable demystify invisible traces of molecular (bio)electrical power.

During the on the web residency, Maggic labored on Archiving the Disobedient Body. Just about every day, they manufactured a 3D scan of a various part of their entire body, “one disobedient section at a time”. The segments are then stitched collectively in a way that evokes the poorly sewn overall body parts from which the creature of Dr Frankenstein emerged. Every single glitch in the 3D scanning approach (fingers are missing, weak high-quality of skin texture, and so forth) points to the failure of devices to comprehend and categorise the human body.

Arguably each individual exterior section of the human body has been defined, calculated and categorised under the scrutiny of scientific objectivity, creating a sort of somatic fiction that distinguishes normal bodies from the abnormal or pathological ones. This is where by the “disobedient” factor will come in. Traditional groups dismiss or deny the actuality that the entire body is in regular responsive morphogenesis with molecules, microbes, endocrine disruptors, metabolisms and messiness. We are a lot more malleable that we believe we are. In that sense, our bodies are getting queered, regardless of whether we realise it or not. This is just one of the causes why the rigid idea of gender is increasingly being challenged these days.

By trying to find to carry out the difficult system of archiving a body that relentlessly shapeshifts, Archiving the Disobedient Body subverts patriarchal technologies and heteronormative buildings, reveals their failings and repurposes them for queer and feminist procedures.

The undertaking is open up resource: the 3D scans of the body are printed on line alongside with the 3D scanning protocol for collaborative mutations. Other people can hence obtain the scans of the artist’s physique and contribute to the deconstruction of the “normative” human body.

Archiving the Disobedient Overall body is a 2nd step in a broader venture devised to build resistance inside of patriarchal technologies. Maggic acquiring previously worked on the Genital( * )Panic clinic which attempts to redefine genital aesthetics and taxonomies for the harmful period.


Picture: Danae Tapia

Danae Tapia is the founder of The Electronic Witchcraft Institute, an arts organisation focused to accumulating superior but non-conforming approaches to the use of technology. The mission of the Institute is to take a look at the parallels amongst engineering and mysticism, concerning hackers and shamans, in between anthropological and electronic studies. Tapia has been producing bot oracles for a while, having advantage of what she calls “digital randomness” and low-priced AI technological innovation to examine how spirituality is currently being coopted by capitalism.

For the Next Cloud Atelierhaus residency, she made use of Marxist idea as the basis of investigate into the sort of esoteric comprehension that communist beliefs can generate.

The Grave, a Marxist Oracle blends quotes from The Communist Manifesto and filtered pics that the artist collected from Sign chats with her friends. The function envisions Marxism as a kind of historic European tradition where each particular person tasks their individual indicating and interpretation on to the textual content relying on their have subjectivities.

By combining sentences from the Manifesto with snippets from Tapia’s electronic intimacy, the oracle can summon imaginaries that search odd but continue being in line with what Tapia calls “the spiritually-charged aesthetics of Marx and Engels’ text”.

In the long term, the artist needs to open up up the folder so that other people today can upload their personal photos to the folder and make The Grave a far more autonomous job. She is also contemplating about adapting the do the job to an exhibition context. It would then be a lot more immersive, with sonic meditation for illustration.


Image: eeefff

Artist and laptop or computer scientist Nicolay Spesivtsev together with artist and writer Dzina Zhuk from eeefff explore the socio-financial outcomes of the infrastructure and politics of knowledge and algorithmisation. Staying from Minsk, the duo of artists preferred to investigate the probability of producing an algorithmic solidarity cooperative wherever collaborative procedures could arise and guidance new kinds of solidarity.

The residency allowed the artists to create a skeleton for the ‘School of Algorithmic Solidarity.’ The school’s curriculum would concentrate on digital infrastructures of coloniality (such as the invisible, precarious and generally outsourced pool of human labour making sure the performing of tech infrastructure) and on new, playful and inventive varieties of technological know-how infrastructures of solidarity that would counter-balance very capitalised disorders.

eeefff’s study not only explores solidarity but also strikes. Element of their inspiration for the strike tactic comes from the Belarusians partisans who sabotaged the railway infrastructure in their place in an energy to hinder the movement of Russian equipment into Ukraine.

In the end, what matters to eeefff is to acquire a new political, anti-war imagination all over institutions.


Felix Gonzalez-Torres, “Untitled” (Excellent Enthusiasts), 1991

Cristina Cochior is a researcher and designer whose apply focuses on buildings of know-how co-production, politics of automation, archival illustration, collective publishing and positioned program tactics. She is a member of Varia, a Rotterdam-based room for establishing collective methods to day-to-day engineering..

Various passions of the artist occur alongside one another in the venture developed throughout the Atelierhaus residency: the advancement of far more collective and non-extractive digital infrastructures, personal computer logic and “user-unfriendliness” or the irritation that manifests alone when technological infrastructure does not function as efficiently as promised. Her task involves wanting at the tensions involving synchronicity and asynchronicity. Computers are synchronised with every other. Even so, there are frictions and a want for negotiation in between human time and laptop or computer occasions. When you operate out of disk room, for instance. Or when you practical experience delays for the reason that too a lot of folks are applying a server. These varieties of cases can be aggravating due to the fact they disrupt your functioning circulation but they are also revealing the interior performing of the infrastructures and devices that engineering is manufactured of. From there, Cochior would like to produce protocols that would discover the lags and asynchronicity, inquiring questions these kinds of as “How are timelines negotiated, interrupted or multiplied?”, “How can we replicate thoughts of asynchronicity into distinctive protocols?”, “What type of poetry can emerge from these lags?”


aaajiaoisBot

aaajiao is a media artist, blogger, activist and programmer. aaajiao is also the virtual persona of Xu Wenkai, an artist who lives in Shanghai and Berlin. Lots of of aaajiao’s works look into new pondering, controversies and phenomenon all over the Web, with precise tasks focusing on the processing of data, the blogsphere and China’s Wonderful Fireplace Wall. aaajiao’s current projects extend his exercise to a variety of disciplines (among the them, architecture, topography and style and design) to check out the idea of identity in cyberspace and to replicate the fact that currently being a person has become the amount just one id for many people throughout the entire world right now.

For the residency, aaajiao has applied telegram to give life to a bot that will aid him know himself superior. aaajiaoisBot commences by being a aspect of the artist but it will evolve about time to adopt a identity that is still undefined: an alter ego, a instrument or possibly even an existence that no human will be capable to comprehend.

Any one can interact with the bot by the telegram system. Maybe the bot will response you. Or maybe aaajiao will truly be the intelligence you’re chatting to. The ambiguity demonstrates pseudo-AI or Potemkin AI phenomenon in which human workers are performing the cognitive perform guiding AI solutions.

The Future Cloud Atelierhaus is curated by S()fia Braga, Davide Bevilacqua & Pitscher for servus.at.



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